Arthur J. Ornitz
Highest Rated: 95% The Connection (1961)
Lowest Rated: 40% Law and Disorder (1974)
Birthday: Nov 28, 1916
Birthplace: New York, New York, USA
Has worked with independent filmmakers such as Shirley Clarke ("The Connection" 1961) and Russ Meyer ("Sweet Suzy/Blacksnake" 1973) and is best known for his many captivating images of New York City, in both black-and-white ("A Thousand Clowns" 1965) and color ("Serpico" 1973).
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
45% | 31% | Hanky Panky | Cinematographer | - | 1982 |
No Score Yet | 73% | Playing for Time | Cinematographer | - | 1980 |
40% | 40% | Law and Disorder | Cinematographer | - | 1974 |
93% | 88% | Serpico | Cinematographer | - | 1973 |
No Score Yet | 50% | Honor Thy Father | Cinematographer | - | 1973 |
82% | 85% | Minnie and Moskowitz | Cinematographer | - | 1971 |
43% | 70% | House of Dark Shadows | Cinematographer | - | 1970 |
No Score Yet | 74% | Me, Natalie | Cinematographer | - | 1969 |
No Score Yet | 61% | Carol for Another Christmas | Cinematographer | - | 1964 |
91% | 58% | The World of Henry Orient | Cinematographer | - | 1964 |
No Score Yet | No Score Yet | Jacktown | Cinematographer | - | 1962 |
89% | 88% | Requiem for a Heavyweight | Cinematographer | - | 1962 |
95% | 79% | The Connection | Cinematographer | - | 1961 |
No Score Yet | No Score Yet | Kiss Her Goodbye | Cinematographer | - | 1958 |
57% | 52% | The Goddess | Cinematographer | - | 1958 |
No Score Yet | No Score Yet | Wanted: A Master | Director | - | 1936 |